Saint Etienne

Marsy are a London based five piece that combine effortless songwriting with timeless melodies. Marsy, who towards the end of last year announced details of their signing to Heavenly Recordings, have today released their latest double A-sided single for the label, ‘Changes’ / ‘Rosé’.

The band, fronted by Hannah Rodgers, recorded the single with Mike Lynsey [Tunng, LUMP]  at his Margate studio .

Rolling in on a completely pure sound - strummed guitars, soft keys, mellow drums and a vocal that sounds like it's moved in from a higher plane - ‘Changes’ floats like it's just opened the door on one of your best dreams and invited you back inside. 

Forty-three years into her life, Gwenno Saunders has been many people. The disaffected Cardiff schoolgirl; the teenage Las Vegas dancer; the singer in indie pop group The Pipettes. There was a turn in a Bollywood film, a nightclub tour, a stint cleaning floors in an East London pub. Long before she would become an acclaimed solo songwriter in both Welsh and Cornish, a winner of the Welsh Music Prize, a nominee for the Mercury, a Bard of the Cornish Gorsedh, there were the days of Nevada, London, Brighton; of Irish dancing, techno clubs, messiness and chaos.

Utopia, Saunders’ fourth solo album, is an extraordinary exploration of all of these selves. If the singer regards her first three solo records — 2014’s Y Dydd Olaf, 2018’s Le Kov and 2022’s Tresor as “childhood records”, rooted in her upbringing, her parents, her formative identity, then Utopia captures a time of self-determination and experimentation. These are songs of discovery, of the years between being someone’s daughter and becoming someone’s wife and someone’s mother. They range from floor-fillers to piano ballads, via contributions from Cate Le Bon and H. Hawkline, and encompass William Blake, a favourite Edrica Huws poem, and the Number 73 bus. It is her finest work to date.